NOTHING MORE // O2 RITZ, MANCHESTER
A MODERN METAL MASTERCLASS FROM THE HEART OF TEXAS WITH LOVE TO MANCHESTER
⭐⭐⭐⭐⭐(5/5)
NOTHING MORE PERFORMING AT MANCHESTER’S O2 RITZ
PHOTOCREDIT: SABRINA RAMDOYAL
The sold-out Manchester O2 Ritz concert exemplified why Nothing More is regarded as one of the most exhilarating acts in contemporary rock and metal music. By merging technical skill with raw emotional intensity, the San Antonio-born quartet delivered a performance that was memorable for both its musicality and its sense of communal catharsis.
From the beginning, the evening’s vitality was evident. As the house lights dimmed and Nothing More took the stage, the anticipation in the venue evolved into a wave of excitement. The band commenced with the atmospheric tracks “House on Sand” and “Angel Song,” showcasing their adept ability to fuse vulnerability with commanding stage presence. Their transition into heavier material with “Let ‘em Burn” and “If It Doesn’t Hurt” indicated the band finding its rhythm, unafraid to oscillate between introspection and explosive release. The band’s willingness to perform unexpected covers, such as a stark rendition of Nine Inch Nails’ “We’re in This Together,” further highlighted their musical versatility. Throughout the evening, Nothing More’s connection with their audience was unmistakable. Allowing the crowd to choose between “Mr. MTV” and “Spirits” not only granted fans agency but also demonstrated the band’s confidence in their repertoire.
Frontman Jonny Hawkins demonstrated why he is considered one of the most compelling performers in the genre. He handled vocal challenges with composure, frequently inviting the audience to help carry choruses, thereby enhancing the collective energy. Hawkins’ theatricality—featuring drumming, jumping, and interaction with both band members and the audience—was complemented by the musicianship of Mark Vollelunga (guitar), Daniel Oliver (bass), and Ben Anderson (drums), each given moments to excel, particularly during an extended instrumental segment. Emotional highlights, such as the heartfelt dedication of “Fade In, Fade Out” to Vollelunga’s father, underscored the authenticity that has become a distinctive trait of the band. The setlist reflected their evolving discography, seamlessly integrating newer compositions with classic anthems like “Jenny,” “Ocean Floor,” and “This Is the Time (Ballast).” The latter, serving as the closing piece, saw the band engage with the Manchester audience, blurring the distinction between performers and spectators at a fever pitch.
From a technical standpoint, the performance was impeccably executed, with a sound mix that balanced clarity and power. Each instrument was distinctly audible, reinforcing the band’s reputation for precision without compromising spontaneity. Visually, the concert was vibrant—moments featuring sci-fi-inspired stagecraft and audience interaction contributed to a sense of spectacle without detracting from the music. Their capacity to navigate between grandiose anthems and intimate, confessional moments ensures their ongoing ascendancy in modern rock. For both aficionados and newcomers, Nothing More’s concerts are merely recommended—they are indispensable. Their synthesis of innovation, showmanship, and genuine connection will undoubtedly lead to their performing in even larger venues in the future.
REVIEW + PHOTOS BY: SABRINA RAMDOYAL
